Embroidery practice

Earlier this year I attended a Jacobean crewelwork class at Hampton Court Palace – a Christmas present from my benevolent sister.

I’ve finally just got round to finishing off the piece, being in need of a) a kick up the backside and b) some serious needle practice for the textile conservation course starting in September. Conservation stitches are quite different to embroidery – the priorities being support and discretion – but I think any practice is useful.

The course was fantastic for learning a variety stitches in a short space of time, and from a professional embroideress. However, I was a bit disappointed we weren’t shown some original examples, and used cotton rather than the more traditional linen.

peacockThe piece includes the following stitches:

  • back stitch
  • satin
  • stem
  • split
  • french knots
  • chain
  • seeding
  • bullion
  • long and short
  • padded satin
  • fly
  • herringbone
  • closed herringbone
  • ermine
  • battlement couching

I added a stitched epitaph, inspired by the Victorian samplers that usually read something along the lines of this, for example: “Elizabeth Irwins work age 10 March 5 1848. All you my friends who now expect to see A piece of work performed by me cast but A smile on this my mean endeavour Ill strive to mend and be obedient ever”.

I make no such promises!

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3 thoughts on “Embroidery practice

  1. Very nice!! I assume you mean cotton to embroider ON as opposed to linen. wonder why…you could have brought some of your Ukrainian linen for yourself!!
    I also assume you have seen The Great Scottish Tapestry. What a treat.

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