After Alice and I made our bird and leaf lino cuts for the William Morris Society earlier this year, I figured my next printing project would have to be even more elaborate and ambitious, because, well, I’m competitive with myself. But a crafty night in with my flatmate, a roll of brown paper, a potato, craft knife and some gouache paint has reminded me how satisfying the simpler projects can be.
I cut out a very simple paisley design and printed the whole roll of paper with white footprints. I went to bed feeling just a little bit smudged. The next morning I added some colour, picking combinations from a very lovely library book on Central Asian Textiles (perhaps Indian or Scottish textiles would have been more appropriate, but this eye-popping blaze is just what I wanted and had to hand).
I was inspired to use a paisley design by what I’ve recently learnt about the history of the Scottish textile industry, and its surprising international connections. Paisley is a town in West Scotland which became so well known in the nineteenth century for its reproductions of imported Indian shawls that the motif (also known as boteh) became synonymous with the town.
At Glasgow University some interesting research is uncovering various aspects of the Scottish Textile Industry. Below are links to current research projects:
Glasgow Dyes Project – Julie Wertz’s PhD project to research and recreate the brilliant ‘turkey red’ dye used by Scottish dyers. She’s also written a post about her research here on the Centre for Textile Conservation and Technical Art History blog.
Darning Scotland’s Textile Heritage – the University of Glasgow archive’s project to enhance their collection of records relating to the Scottish textile industry.