Yesterday I visited Tramway, an arts venue in the south of Glasgow. Formerly a tram depot, the space is big and bare enough to allow ample breathing space for contemporary art exhibitions, but still bears traces of its past life.
Before electric trams came in, they were pulled by horses which were stabled, oddly, in the floor above the tram shed. The slopes up which they trudged to their hay now lead to a workshop space. When the last trams were taken out of service in 1962, about 250,000 people turned up to watch the procession of vehicles make their last journey, some putting a penny on the track by way of a squished souvenir.
The old metal tracks run the length of the main exhibition room, currently inhabited by Cathy Wilkes‘ work – a frozen theatre-like assemblage of tatty, forlorn figures and bits of detritus. Her work sits well in the space, with an unnerving edge which adds to the slightly sinister impression I have of tram tracks (ever since a childhood visit to Barcelona, where I learnt that Gaudi died after being hit by a tram – a feeling recently confirmed by poor Berlioz’s death in The Master and Margherita). I spent the remaining afternoon with Glasgow Knit ‘n Stitch group, who meet in the cafe every Wednesday and Sunday. We knitted and talked socks, Glasgow history, wool shops, politics and mitred squares. An afternoon well-spent!
Aside from contemporary art and knitting groups, Tramway hosts music, film and performance.
Tramway – 25 Albert Drive, Glasgow, G41 2PE